Reverse Glass Painting with Mother of Pearl - A Restoration Project

A while ago (about two months now!) I was approached by a friend with a new type of work for me to do, something I don't have the first idea how to do - restore a painting done on glass!

While I told her and her mother that I am not very knowledgeable when it comes to such things, that it didn't really matter since at this point this just have to throw it out, so anything (we'll see..) that I do to fix it will be an improvement.  Considering the fact there there are empty spots and flaking paints I hope that I really can't hurt it much more than nature already has. 

The front of the reverse painting on glass with mother-of-pearl accents

The back of the reverse painting on glass with mother-of-pearl accents

Before I just start going at it, I figured I should probably do a little research!  Here are some of the things I found:

A Helpful guide from Michaels Craft Store found HERE, including which type of acrylic or other paints to use.  It also mentions baking the paint/glass.  That sounds interesting doesn't it?  Not sure if that would help make this painting permanent or not.  Also taught me that I should make sure the glass is clean and what to clean it with.  Makes me wonder too if the rubbing alcohol will help get some of the paint off that's there already?

On ehow.com they have several different videos and information on painting on glass, projects to do, and more (click HERE to see them all).  I found this video to be helpful in knowing what painting supplies I will need:

Painting Glass: Choosing Glass Paints -- powered by ehow

On ehow.com I also found an article about Reverse Painting on Glass (found HERE), which is what this old painting is.  You view the art from the front of the glass, but all the paint is on the back of it.  It's kind of fun to read about the history of this artistic tradition.

Did you know there are still contemporary glass-painting artists out there today?  At Paintingonglass.com Andriy Khomyk makes and creates hundreds of them!  I found that what he said about technique and skill in regards to reverse painting on glass to be... well, daunting for a first time-attempter:

THE TECHNIQUE is not such complicated, as it appears to be. The image is carried on glass in exactly the same resulting in unique effects manner as on canvas, paper or wood; but when we look at the image, we look through the glass - which serves both as a support and a protective varnish. Everything is backwards from traditional painting. The working image is on the back of the glass. The viewer looks trough the glass on to the painted layers. Letters, symbols, and images are painted as the mirror image to how they normally read, in order to be correct when the glass is turned over to be viewed. Details or accents which would ordinarily be painted last, are painted first; the background, instead of being painted first, is last. All the details have to be correct as it is not possible to make corrections without destroying the underlying work. When the painting is finished the glass is turned over and displayed with the paint behind the glass. Therefore, three "reverses" take place: the paint is applied in reverse order, the glass is turned over when the painting is completed, and the design or painting is seen in reverse -- that is, the right-hand side of the pattern appears on the left-hand side through the glass. When painting on glass special care must be taken in the selection of the color palette due to the primacy of color. The synergy of paint and glass has a depth and luminousness unlikely in any other medium. Painting on glass is a very time-consuming and difficult handicraft operation. There is no place for a mistake because this what you first paint will always be in the front of the painting and you have no possibility to change it.  

 In fact I am a little hesitant to even start working on the piece at all because I feel like as soon as I touch it it may start completely falling apart!  I found this message board (found HERE) that makes me feel even more that way, especially the last comment that says: "We had a similar piece artwork [an old reverse painting with mother of pearl accents that needed to be restored some] brought to our gallery for repair. I took it to the woman who does our restoration. She wouldn't touch it. She said once they are opened up to air they start deteriorating."

Reverse Painting on Glass close-up leftside

Reverse painting on glass close-up middle

Reverse painting on glass close-up rightside

I also found a painting (found HERE) very much like the one I was given, (maybe even the same artist? what do you think?) that someone had appraised at around $150, but the piece I have is much larger.

It seems that there are a lot of people (see THIS forum) where people are wondering what to do with their in-laws, grandparents old reverse glass paintings and don't know their worth. 

I guess the question I have to anyone who might know about these type of works of art is should I even attempt to "fix" this piece?

The people who gave it to me have had it sitting in their garage for years (I believe) and the husband really liked it but now it's un-hangeable since it looks so bad, and therefore, I believe probably has no real value anymore.  Should I just do my best?  I feel once I start working on it, and getting in there I am going to have to remove more and more of the original painting...  Will it be worth my time?

Pencil Portrait of Parents/Grandparents

I finished the commission for Nancy tonight! Just in time for Christmas! In fact a few days early.  It took me nine working days and about 17 hours to complete (I kept track for the first time).  This is the second piece Nancy has commissioned from me.  Last year for Christmas I drew her daughters.  This year she asked me to draw her parents. She sent me four different pictures in the mail, with requests that her mother's glasses be clear, and perhaps take off a few wrinkles. 

I did my best to compose a good picture from the ones she gave me, doing a little editing on the computer using Gimp. I, however, did not want her mother to be as washed out as she is in the picture I ended up using for the composition.  Flash is such a nasty thing and doesn't make for great portraits - drawn or not!  So, I used the other pictures to help me fill in the blanks some.  I hope her mom looks like her mother.  I think her dad turned out excellent though! 

But, what do you think?  Do you think I did a good job?

A New Commission

My friend Nancy again wants to hire out my skills!  This year for Christmas she wants a drawing of her parents. How sweet!  I am excited to work on it and excited to do something for her again. She's also interested in making prints of it to give to her siblings, another awesome gift idea. (and again I need to figure out this "print" thing.) 

I have about a month to complete the drawing, so let's hope my life settles down a little bit more so I can devote more time to art.  I'm excited!

A Musical Piece

I am currently working on a commission for a family at church and am very excited about it! They gave me the theme of "classical music," telling me that their daughters play a violin and cello, as well as piano. So, I looked around for some ideas, and decided to do a sweet piece with 6 6"x6" charcoal drawings, using the same techniques I used on my maternity drawings. I wanted to show you some of the pictures I took that I have to choose from to include in the piece. What do you think?

The Cello:

The Violin:

The Piano:

Unfortunately my reference photos for the piano haven't been very good, so I still need to take some more, give myself some more options. I find that taking my own photos eliminates any need to obtain permission or copyright, plus it's a ton of fun! I am not much of a photographer so it's a slight gamble, but well worth it in the end.

Portrait Commission Drawing for Nancy

This last summer I had the fun opportunity of teaching bookbinding to my mother-in-law Susan and her friend Nancy (see this post). During the summer Nancy also asked me to draw a picture for her of daughters. I was excited to be given this opportunity and sell my first work of art! I did not get a chance to finish the drawing over the summer due to young twins and moving, but I did finish it right before the Holidays, right after I finished my classwork.

The day we headed down to my in-laws for Christmas, I finished the drawing, and it came out beautifully. Seriously, it looked good. I cleaned up the border, signed it, and laid it outside on the dry patch of our patio and sprayed it with fixative. I left it outside for five minutes to set and deodorize outside.

However, shortly after leaving it there, Josh, my husband, screamed "There's a dog in our backyard!!!" And sure enough, an ugly collar-less dog was in our backyard/patio, stepping on my completed (15+ hours) and beautiful drawing. We shewed him away as fast as we could, grabbed the drawing and I immediately began cleaning up what I could.... but, there is a permanent paw print/scratch on the right side of the drawing. We were angry, we were sad. What are the chances of this happening? I should have listened to Josh when he suggested that I spray the fixative while he held it outside. He was worried some snow would drop off the roof onto it or something, but I was sure it would be fine. It wasn't snow that happened upon it, but a dog, a dog we've never seen before and never will see again. Why he had to enter into our fenced-in patio area and came up to our glass sliding door and stepped on my drawing, we don't know, other than God has a sense of humor and wants to ensure that we are sufficiently humble...
But, in all honesty, it's pretty funny. Of course a dog came and stepped on my drawing in the five minutes it was outside the day it was "due." Of course there was like no chance of that happening but it did. But, Nancy was generous and willing to overlook the mark, thankfully. I told her I could redraw it for her, or another picture for the price she paid. Fortunately if she mats the drawing where I have the border, most of the mark will be unseen. Nancy loved the drawing of her daughters and was SO excited to see it and be able to give it to her husband for Christmas.

Nancy gave me a 4"x6" colored photograph, and then I scanned it, made it black and white, and began my drawing. I lightly made a grid on my paper and a grid over a printed version of the photo. The final piece is drawn on an 11"x15"sheet of Pescia white paper, with the image being approx. 10"x6 3/4."

Here's the scanned B&W version, and a scanned copy of the drawing:
What do you think? Is it any good? What could I have done better? Any questions/comments?