Tuesday, January 10, 2012

James H. Fullmer - Fellow Artist and Friend

I find it a great privilege as a new, beginning artist to have a friend who is a professional artist.  It's all he does and he supports his wife and four boys doing it.  I have known James H. Fullmer, or Jay, for a long time, for more than ten years now I think!  He moved to my hometown and was a member of my church.  He taught early morning Seminary and did a fantastic job at it.
While I was home for the holidays, I asked him if I could stop by his studio and talk to him a little bit.  He showed me some of the stuff he's been working on diligently for the last year for his latest project - The Other Heroes of the Book of Mormon.  My parents had a copy of the book at their home and I only had a chance to peruse it during my stay there, but the artwork is of course phenomenal.  The stories are exaggerations, but bring the stories and characters from the Book of Mormon into life.
Here's a trailer of the book:
While talking to him I asked him several questions about what he wants to do next, if he was planning on doing art shows, or exhibits, or make/sell prints of his works, etc.  He said that much of his works are narrative, illustrations, and not necessarily fit for most people to simply display in their homes, and to get things ready for exhibition/sale (i.e. framing) costs a lot of money and takes a lot of time.

I him if he ever wanted to do stories from the Bible, or depictions of Jesus' life.  He said no; he said that his calling, he felt, was to continue painting, depicting, and telling the stories of the Book of Mormon.  He then told me how when he first began to paint and do art, he thought and felt that his calling was to paint landscapes and animals, which he painted exceptionally well:
But, later Jay realized that his love of the Gospel of Jesus Christ, as well as his love especially of the Book of Mormon, called him and his art in a different direction.

It was these statements that led to a discussion on what I feel my 'calling' as an artist is: and I don't know.  Jay asked me if there were no limitations on time or resources, what would I paint or create, and I didn't really have an answer.

The problem I think is that
1. I do have limitations on my time and resources and
2. I often feel comfortable simply doing what I know best - drawing.

I have drawn since a little girl and have developed it quite a bit through the years.  I also have always been fascinated with drawing people.  I love doing portraits, but lately have enjoyed the still-lifes I have done as well.  But, what kind of calling is simply copying a portrait and redrawing it for people all the time?  Can you truly call yourself an artist on such grounds?  Can you even make a living simply doing that?

Even if I continued to do still-life work, which I take my own reference photos for, and draw, which I enjoy, is there a career or a passion to that for me as well?

The thing about drawing, is that drawing is the fundamental skill of art.  It's the first thing you learn.  Generally speaking, if you can draw, and draw well, you will be a better artist in whatever medium you chose to create in.  Which means, perhaps my future as a life-long artist is not simply in pencil and charcoal.
 
I really would like to explore mediums more, like paints, and really start to figure out what I enjoy.  What brings me the most satisfaction?  What is my calling as an artist, as a Christian artist? 

When I think about art I would someday like to create and sell and be proud to call mine and that is original, I do think it would have a religious context, though perhaps not overtly religious (i.e. not Jesus hanging on the cross).  I think creating works that depict human happiness, love, joy, and hope would suit me.  I love families and marriage.  I love children.  I love the simple pleasures of life.  I once had an art professor say that we should not depict the difficulties of life in our art, but the ideal, and I like that.  We know what the difficulties of life are, what problems there are.  Unless we are offering a solution in our work, we aren't truly doing our part of contributing to our society in a positive way.  We are artists.  We can choose what to depict. 

I guess part of the reason I have this blog is so I can share my journey from graduate to artist.  I hope everyone will bear with me and encourage me as I discover what I am truly meant to do. 

Feel free to follow Jay on his blog HERE or HERE - great for artists!
Click Other Heroes of the Book of Mormon if interested in his new book.

Tuesday, December 20, 2011

Pencil Portrait of Parents/Grandparents

I finished the commission for Nancy tonight! Just in time for Christmas! In fact a few days early.  It took me nine working days and about 17 hours to complete (I kept track for the first time).  This is the second piece Nancy has commissioned from me.  Last year for Christmas I drew her daughters.  This year she asked me to draw her parents. She sent me four different pictures in the mail, with requests that her mother's glasses be clear, and perhaps take off a few wrinkles. 
I did my best to compose a good picture from the ones she gave me, doing a little editing on the computer using Gimp. I, however, did not want her mother to be as washed out as she is in the picture I ended up using for the composition.  Flash is such a nasty thing and doesn't make for great portraits - drawn or not!  So, I used the other pictures to help me fill in the blanks some.  I hope her mom looks like her mother.  I think her dad turned out excellent though! 
But, what do you think?  Do you think I did a good job?

Thursday, December 8, 2011

Kids Art Coming to Life!

One of my friends recently and randomly posted this link on his Facebook wall.  Artist Dave Devries took children's artwork and then projected the image onto his canvas, faithfully tracing all the lines and then rendered them realistically.  I think his renditions are so great!  His collaboration of photos, paintings, and interviews have been compiled into a book called "The Monster Engine."

Here's some of what he's done:
 
Check out more about his project and art at his website: TheMonsterEngine.com.

Sunday, December 4, 2011

Updated Heritage Art

As I mentioned in my previous post, I wanted to update this piece I did in high school for my old roommate.
I have been happily working on it and think it's looks much better!  I made the watercolor background and sea more bold, and also more consistent.  I added color (using colored pencil) to the borders of the map, retraced the ink, and touched up the charcoal boat.  I also added a sea serpent and a compass to the map. 

I think all of these details really help bring the piece to life. I really like it now and am happy to sell it to my friend. But, what do you think?

Friday, November 18, 2011

A New Commission

My friend Nancy again wants to hire out my skills!  This year for Christmas she wants a drawing of her parents. How sweet!  I am excited to work on it and excited to do something for her again. She's also interested in making prints of it to give to her siblings, another awesome gift idea. (and again I need to figure out this "print" thing.) 

I have about a month to complete the drawing, so let's hope my life settles down a little bit more so I can devote more time to art.  I'm excited!

Thursday, November 3, 2011

My Kid Could Paint That: Documentary on Marla Olmstead

As I was browsing the DVD shelves at the library the other day I cam across the movie "My Kid Could Paint That" a film documentary about the little girl Marla Olmstead who paints abstract paintings and became really famous back in 2004-2005, especially with her 60 minute spotlight which put the authenticity of her paintings into the spotlight.
I remember talking about this little girl in a few of my art classes in college, specifically in my Art Criticism class. We talked about her because that class is all about "What defines art?  What is art?"  and all that goes along with those questions.

This little girl sold several pieces for thousands upon thousands of dollars by the time she was 5!  Does this child really create works of art worth more than many other professional contemporary artists are fetching?

While this movie was not about the art world (which is what I originally thought this movie was about) it does make you think.  The movie is really about whether or not you really believe this little girl did all of her paintings by herself or if her dad's coaching was more than "coaching."  I have to admit I am skeptical.  Some pieces just seemed too balanced, the texture too uniform, the ideas too complete for an innocent pre-schooler to put together.  Plus, I get the feeling from the video that the dad is lying?

Here's a little glimspe into the video and Marla:
They have recorded Marla completing two different paintings on film, one that was featured on 60 Minutes, the other by her father at home.  Here is the latter one:
It certainly looks like a painting done by a 4 year old right? And so do several of her other works like these:
But some are just too nice it makes us begin to question if they were really done by a 2-5 year old girl.  Of course if they are indeed what they claim to be, they are awesome! So, take a look:


Remind you of Jackson Pollock in that one^? Or is that just me?


Don't they look pretty awesome?  I mean they revel some great abstract painters of the past and present, like Pollock, Monet!  The color choices seem direct, well thought out, planned.  The patterns intentional and planned from the beginning (this one will be smudges, this one splashes of paint).  The last one is very impressive with its precise repeated pattern.

If Marla did make all of these completely by herself, it is impressive.  Makes me think we should give all children abundant painting supplies and pre-stretched canvases and see what they can create when they are uninhibited.  I do think that we stifle kids creativity too much with boundaries and limiting assignments.  I love that because she is so young when she began that she would not have those inhibitions that even slightly older kids begin to have, often trying to please someone, i.e. a parent, friend or teacher.

Also, if she did in fact make these pieces, what does it say about those currently creating abstract art as professional painters?  This is the question I really wished the documentary would have addressed more thoroughly.  Does the fact that a little girl can create and sell works at par with a professional artist lessen the work of thousands of artists practicing today?  Or is art just art and who created it of no consequence?  I believe the artist behind the piece is very important (see my post on Jackson Pollock if you don't believe me).  Also, Michael Kimmelman gives a great lesson on modern art and contemporary art that is easy for everyone to understand and isn't so elitist about today's art, which I appreciate.  It's in the bonus features. 

One of the things brought up in the video (in the bonus features) which I think is important, is that Marla was not making her own canvases.  She was not deciding to do a triptych. She was not deciding how big it should be or any of the dimensions.  She may not have even selected her own paint colors or brand of paints, or what brushes or other tools she used.  These things are important to art because of the implied intentions.  While small, it does make a difference.  She cannot engage her patrons with talk about her artwork adequately (or at all!).  She most likely has help naming them too.  Her father has at time even coached her (though I was "coached" frequently as a student in college, but I was still a student, not a professional artist) on where/how to paint.  

I guess I bring up these questions to ask if she really is an artist?  Or is she really just a little girl painting?  Pretty much every working artist has a reason behind their work.  A point they want to emulate, often profound, deep, emotional.  A very young girl is naive, innocent, pure, uncomplicated.  I think seeking deeper meaning into Marla Olmstead's works will have to come solely from the viewer.  It is happy circumstance or her mood that day that made things appear the way they do in the final piece.  Perhaps as she ages and continue to paint we can find more meaning and intention behind her work.

I really enjoyed watching this documentary and encourage others to watch it. It is very interesting.  Plus, Marla is such a cute little girl!  But, please tell me what you think about all this?
   
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